The Perfect Marriage Read online

  PRAISE FOR ADAM MITZNER

  The Best Friend

  “This is a well-constructed, compelling legal thriller that deals perceptively with guilt and retribution, all set on a firm basis of love.”

  —Booklist

  A Matter of Will

  “Business, blood, and deception help make this an exciting and fast-moving yarn. Fine fare for thriller fans.”

  —Kirkus Reviews

  “[An] engrossing thriller from Mitzner (Dead Certain). The action never flags in this exciting cautionary tale.”

  —Publishers Weekly

  “Mitzner is a master at making the complex understandable for the average reader while not letting the intricate details of the subject matter that supports his story weigh it down . . . A Matter of Will [is] a perfect vacation read.”

  —Bookreporter

  “Mitzner really knows how to craft a page-turning mystery. A cover-to-cover read.”

  —Press & Guide

  Dead Certain

  An Amazon Charts Most Sold and Most Read Book

  Authors on the Air Finalist for Book of the Year

  “Dead Certain is dead-on terrific . . . It’s an entertaining and riveting work that will more than hold your interest.”

  —Bookreporter

  “Consistently compelling . . . Adam Mitzner is a master of the mystery genre.”

  —Midwest Book Review

  “There are several twists and turns along the way . . . creating a big amount of tension.”

  —The Parkersburg News and Sentinel

  “[Dead Certain’s] leading coincidence, which is quite a whopper, is offset by an equally dazzling surprise . . . It packs enough of a punch to make it worth reading.”

  —Kirkus Reviews

  A Conflict of Interest

  A Suspense Magazine Book of the Year

  “A heady combination of Patricia Highsmith and Scott Turow, here’s psychological and legal suspense at its finest. Adam Mitzner’s masterful plotting begins on tiptoe and morphs into a sweaty gallop, with ambiguity of character that shakes your best guesses, and twists that punch you in the gut. This novel packs it. A terrific read!”

  —Perri O’Shaughnessy

  “Mitzner’s assured debut . . . compares favorably to Presumed Innocent . . . Mitzner tosses in a number of twists, but his strength lies in his characters and his unflinching depiction of relationships in crisis. This gifted writer should have a long and successful career ahead of him.”

  —Publishers Weekly (starred review)

  A Case of Redemption

  An American Bar Association Silver Gavel Nominee for Fiction

  “Head and shoulders above most.”

  —Publishers Weekly

  Losing Faith

  “Tightly plotted, fast-paced . . . Startling . . . A worthy courtroom yarn that fans of Grisham and Turow will enjoy.”

  —Kirkus Reviews

  The Girl from Home

  “An engrossing little gem.”

  —Kirkus Reviews

  OTHER TITLES BY ADAM MITZNER

  The Best Friend

  A Matter of Will

  Never Goodbye

  Dead Certain

  The Girl from Home

  Losing Faith

  A Case of Redemption

  A Conflict of Interest

  This is a work of fiction. Names, characters, organizations, places, events, and incidents are either products of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.

  Text copyright © 2021 by Adam Mitzner.

  All rights reserved.

  No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without express written permission of the publisher.

  Published by Thomas & Mercer, Seattle

  www.apub.com

  Amazon, the Amazon logo, and Thomas & Mercer are trademarks of Amazon.com, Inc., or its affiliates.

  ISBN-13: 9781542005760

  ISBN-10: 1542005760

  Cover design by Faceout Studio

  For Susan, my partner in the perfect marriage

  CONTENTS

  Start Reading

  PART ONE

  1

  2

  3

  4

  PART TWO

  5

  6

  7

  8

  9

  PART THREE

  10

  11

  12

  13

  14

  15

  16

  PART FOUR

  17

  18

  19

  20

  21

  22

  23

  24

  25

  26

  27

  28

  29

  Jessica thought about...

  ACKNOWLEDGMENTS

  ABOUT THE AUTHOR

  Owen had always assumed that the first funeral he would attend would be his own. Such a morbid thought would have been foreign to most teenagers, who invariably believed they were immortal. Owen’s classmates were forever testing the thesis—driving while drunk, taking drugs of dubious origin, and vaping anything. They always lived to tell the tale, proving they’d been right all along: they could never die.

  For Owen, however, there was no tempting fate in this way. Before he was old enough to grasp the indestructibility that other teenagers believed to be their birthright, Death had entered his inner circle. Once admitted, Death remained front and center in Owen’s thoughts. So much so that Owen eventually thought of Death as a friend—a confidant. Someone who listened to him when no else did.

  Everyone else in his life was always talking—about how it was all going to be okay, how brave or strong he was, or what a fighter he was. Even at thirteen, Owen knew it was a pack of lies. No one could predict whether he would live or die. He wasn’t strong or brave or a fighter. In fact, some days he felt so weak that he couldn’t get out of bed. He lived in a state of constant terror. More often than not, rather than fighting it, he succumbed to that dread.

  Every time he did, Owen realized the one central fact of his existence: everyone was always lying to him.

  Everyone except Death.

  Death spoke the truth, whether Owen wanted to hear it or not. Death had no interest in Owen’s feelings, in keeping his spirits high, or in stopping his mother’s tears. Death didn’t give two shits if he was having a good day, if it was his birthday or Christmas, or if he was up to handling bad news.

  Death’s only allegiance was to the truth.

  What Death told Owen was simple: It had not chosen him because he was special or he could handle it or it would build his character. Death acted without any justification whatsoever, making selections at random.

  In short, Death was unfair, and Death owned it.

  And then, with no more warning than it had given when it entered his life, Death departed when the doctors told Owen that his cancer was in remission.

  “You get to start your life all over again now,” his mother said.

  “Think about how lucky that is, O,” his father said. “Most people would give anything for a second chance, and you have one, buddy.”

  In the years that followed, Owen was surprised at how much he missed Death’s company. He was more than happy to forgo the chemo sickness, of course, and God knew he enjoyed having his hair back. But still he longed for that sense that, amid all the lies he encountered on a daily basis, someone close by was willing to speak the truth.

  Of course, Owen knew that Death would
return. It came for everyone, after all. It was only a matter of when.

  And then, in the winter of Owen’s eighteenth year, Death came back into his life. Much to his surprise, however, Death bypassed him, coming for someone else. And Death’s modus operandi this time was not cancer, but homicide.

  PART ONE

  1

  James Sommers considered looking at his wife in her wedding dress irrefutable proof that there was no relationship between virtue and happiness. It had been a year and four days since they’d married, and the simple sight of Jessica still made him smile like an idiot at his good fortune.

  “Too much?”

  James knew his wife was asking whether rewearing her wedding dress was overkill for their anniversary party. She had posed the question before—several times, in fact. He had always answered honestly, telling Jessica that she looked perfect.

  This time, however, he decided to flirt.

  “I do prefer you naked.”

  She smiled at his joke. “There’ll be time for that later. But seriously, do I look okay in this?”

  “Perfect,” he said.

  Jessica rolled her eyes. “I don’t even know why I ask.”

  James did not consider himself a particularly introspective man. He certainly wasn’t a religious one, having no faith in a higher power. Still, he had always tried to do the right thing. He’d be the first to admit that he wasn’t perfect in that regard, but all things considered, he thought he’d more or less walked the line. It was not an easy thing to do in his profession, where most art dealers believed that if you weren’t cheating someone—the buyers, the sellers, the artists, the IRS—you weren’t trying hard enough.

  Much to James’s surprise, keeping to the straight and narrow had led him to unhappiness, and only after detouring had he found the contentment he’d previously thought unattainable.

  He owed all his happiness to Jessica, but at times he felt like a thief. As if he had stolen the happiness meant for someone else, and at any moment he might be apprehended and forced to give it back. That was why, like any good criminal, he took care to keep his haul out of public view.

  It was for that reason that James had initially expressed concern when Jessica proposed this party. Gathering everyone they knew for the purpose of celebrating their first anniversary seemed like tempting fate.

  “You know my view,” James said. “You can have either a big wedding or a happy marriage, but not both.”

  The line had become a recurring joke between them. At first to justify James’s resistance to a big wedding, then to explain to friends and family why they’d elected to elope.

  Regardless of whether there actually was any relation between the number of guests invited to watch nuptials and the happiness of the marriage to follow, James could not deny that after their elopement, their first year together had been nothing but pure bliss. Before Jessica, he had imagined happiness in the form of exotic trips and grand romantic gestures. But in reality, it was the smallest moments that he had come to cherish most: the way Jessica talked about the characters in novels as if they were friends and how she could throw her whole body into a laugh brought on by something he found only mildly amusing.

  “Nothing over the top,” Jessica had assured him about the anniversary party. “Fifty people, no more. No sit-down meal. We’ll cater in some low-key food. Sushi, maybe. Or even just order in some pizzas.”

  James had responded to this request the way he did to most things Jessica asked of him. He’d agreed. Which was why he was now staring with a big idiot grin on his face at his bride of a year and four days wearing her wedding dress.

  For his own attire, James had decided to follow Jessica’s lead and wear the suit he had donned to get married, a navy crepe that he’d had custom-made for the occasion. It was a tad lightweight for late January in New York, but he didn’t intend to leave the apartment tonight. He’d briefly considered pairing the suit with a different tie than he’d worn at the wedding, but in the end, he reached for the same solid silver Kiton sevenfold that had served him so well the first time.

  James’s father had been killed in a car accident, going on fifteen years ago now. For months after, James had considered how the world would be different if his father had not been driving across that intersection at exactly the same moment the truck had entered it. What if his father had been delayed even thirty seconds before getting behind the wheel? What if he hadn’t made a light ten blocks north? Or if the truck driver had started his journey five minutes later? All the infinite variables that could have been different. But because none of them were, his father was dead.

  Afterward, people said it was meant to be. That nothing could have been done to change it. It was no one’s fault. Some things were beyond anyone’s control.

  For years he wondered if that were true. If the world actually worked that way, with the onslaught of sudden inalterable cataclysmic events.

  And then he met Jessica. And he finally believed.

  The same way that fifteen years earlier nothing could have been done to change his father’s fate, Jessica’s entry into his life was similarly preordained, and he was powerless to alter it.

  Despite her husband’s repeated assurances, Jessica still couldn’t help but wonder if her dress was too much for a house party. She had initially justified the garment’s exorbitant price tag with the thought that, because it wasn’t so wedding-y, she’d get more than one use out of it. In reality, few occasions were appropriate for a knee-length off-white silk dress. She couldn’t wear it to anyone else’s wedding, and the art openings at which she served as James’s plus-one usually required something understated and black.

  Her final assessment met with her approval. She looked good. Forty-one years old and everything still more or less where it was supposed to be.

  Then she shifted her gaze toward her lawfully wedded husband. James looked better than good, the way some men—the very lucky ones—were at their most handsome in their forties and fifties. She’d seen pictures of James as a younger man, all chiseled features, six-pack abs, and that hair—Jim Morrison from the cover of the Best of the Doors album, which she’d listened to on repeat in her teenage years, thinking it made her edgy. But James had grown into his looks over the years; now he had gravitas. Not only a pretty face, but a serious one too.

  Sometimes she considered how close she had come to never seeing that face and therefore not living the life she now considered to be nothing short of perfection. Like a fairy tale, except that instead of leaving behind a glass slipper, she had forgotten her wallet at work. By the time she’d returned to retrieve it, it was past six and her office was a ghost town.

  She’d been ready to leave her office for the second time that night when her phone buzzed with a text from Lisa Rollins, her boss at the real estate agency.

  URGENT: CAN ANYONE BE AT THE LOFT IN 10 MINUTES?!!!

  Jessica texted back—I CAN!!!—mirroring Lisa’s use of all caps and exclamation points.

  Her phone rang a millisecond later.

  “Thank God,” Lisa said. “There’s a serious buyer interested in the loft. He’s already got an offer in on this other place, but I convinced him to take a look at ours before deciding. Problem is, he’s only available to see it tonight. After that he’s heading to Europe or Asia or somewhere. So I need someone to be down there with the key in ten minutes.”

  Although the agency had numerous listings, Jessica knew which one Lisa was referencing. It was the crown jewel of their portfolio at the time, described as a True Artist’s Loft in the glossy brochure Jessica had helped write, even though everyone in the office knew that a banker would likely buy it.

  The loft was only a five-minute walk from the office. When Jessica arrived, James was waiting outside. She was immediately drawn to him—tall and well built with a face that seemed vaguely Italian in its dark-featured, straight-nosed way.

  “I’m Jessica, the broker. Lisa Rollins asked me to show you around.”


  “James Sommers,” he said, smiling in a way that Jessica would never forget.

  So many times in the past year she’d used the phrase “love at first sight.” It sounded corny, but she had no other words to capture the overwhelming sense of inevitability of meeting James. Time and again she thought of that quote from Wuthering Heights, how Catherine described Heathcliff as more herself than she was, and that whatever souls are made of, theirs were the same. That’s how Jessica felt within thirty seconds of meeting James.

  She led him through the space, trying to remember the tear sheet’s description of the origin of the marble surrounding the fireplace and the brand of tile in the master bath. Fortunately, the place sold itself; their walk-through lasted less than twenty minutes. During that time, however, the heavens had opened outside. By the time they returned to the street, it was hailing, chunks of ice hitting the pavement hard enough to activate car alarms into a cacophony of wails.

  Jessica suggested that they escape the weather by going inside the Starbucks next door. When the hail let up an hour later, they parted ways. Jessica couldn’t sense whether James was seriously considering the loft and had no reason to think that she had made any personal impression on him. But two days later, he called her and made no pretense about his interest in both.

  Wayne wasn’t nearly as naïve as people thought. He knew that attending a party to celebrate his ex-wife’s first year of wedded bliss with another man made him the marital equivalent of a sideshow freak. And yet, here he was, all dressed up on a Saturday night, leaving Forest Hills, Queens, and riding the 7 train into Manhattan for that very purpose.

  Wayne’s mother often said that her husband was “a hard man.” Wayne supposed it was a more charitable description than “angry alcoholic,” although the latter was more accurate.

  Somewhere along the line, Wayne’s father had decided that the world had betrayed him. Archibald Fiske was smart enough to know that his true adversaries—his boss, the man at the service station who told him their Buick needed a new transmission, or the neighbor who didn’t pull his garbage cans in from the street quickly enough—would never stand for his abuse. So, rather than risk a counterpunch, ole Archie took out his frustrations on people who would not fight back: his wife and son.